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For starters, I have read and watched and played a lot of stories in my life. The way McQuiston surprised me with their first two books is the same way they surprised me with this one. Like all great romances, one good kiss blew her life wide open! As Chloe discovers how wrong she was about Shara, she also begins to discover who she really is and what she really wants.
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They’re full of cryptic messages about where she is and why she vanished. Chloe teams up with Shara’s QB boyfriend and her neighbor - the other two people she’s kissed - as they track down the pink envelopes Shara left behind. She’s so close to reaching her goal of Being The Best and busting out of this backwoods town - and then Shara Wheeler kisses her, and disappears. She’s surrounded by conservative Christians she cannot relate to, other students she thinks lack ambition and culture. She’s an over-achieving queer teenager raised by two moms who moved her from California to Alabama, and she’s been in a fierce competition with Shara Wheeler, the most popular girl at Willowgrove Academy, for the Valedictorian spot from the day she arrived. And today their new book, I Kissed Shara Wheeler, lands, and it too made my little lesbian heart sing.Ĭhloe Green is probably McQuiston’s most challenging protagonist to date. They made me swoon into oblivion with their follow-up, One Last Stop. They landed in my life right on time with Red, White & Royal Blue, when I was in the first stages of Long Covid. And then there’s Casey McQuiston, writing queer romance for the ages. It feels like we’re being forced to take ten steps backwards every day.
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And TV! That brutal Killing Eve finale, the cancellation of Batwoman and Legends of Tomorrow. Plus, of course, losing the Magic Books so many of us found ourselves in when we were growing up. I don’t need to tell you how bleak things are for the entire world, and especially for LGBTQ people right now, with old school homophobia making its way back into state legislatures and all kinds of new ways for trans people to suffer state-sanctioned oppression and bigotry. I know this is going to sound dramatic, but sometimes I feel like Casey McQuiston was born to be the storyteller to get us through this pandemic.
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It also occurred to me, as I zipped through episodes that went by so fast, I would’ve sworn they were 10 minutes apiece, that this series is going to mean a lot to a whole lotta kids. Heartstopper was exactly what I was so reluctant to admit that I needed after how many years now of absorbing blow after blow, from the pandemic to politics to almost hourly upheaval. They comprise four hours of happiness and hope.Īnd yes, Michael, they are “really sweet.” There is a joy to these eight episodes, to their gentleness and tension, that radiates too brightly to be rejected. But it’s written so earnestly, acted so deftly and directed so thrillingly that its impact is profound. Its story, if you don’t already know, is pretty simple: Gay boy meets straight boy, straight boy realizes that he’s bisexual, love blossoms, sometimes literally, all around them. It turned out that I needed Heartstopper.